Johnny Ganems, the local liquor store, does not accept gold dollar coins despite the fact that they're legal currency. Because they don't say, "In God We Trust."
Which, despite being sort of strange, is not even true.
Monday, March 31, 2008
Saturday, March 8, 2008
Carry On
Tim Gunn on filming his show, "Tim Gunn's Guide to Style."
We had this thing called a Fashion Therapy Kit, and I would present it to our subject on the last day of taping. And I’d give them the book ‘Tim Gunn: A Guide to Quality, Taste and Style’, with it already inscribed to her. And the person is, generally speaking, touched by the gift.
So we have a new director, and it’s Episode 6. This new director calls out from the production room, ‘Um, could we do that again and see a little less of the book?’ So I said, ‘Yeah.’ We did it again. He says, ‘No, I’m still seeing too much of the book.’ I said, ‘What’s your issue with the book?’ And he said, ‘It just feels like a little too much self-promotion.’
I paused, and then I said, ‘Self-promotion? This show is based on this book.’ He said, ‘Well, I just want to see a little less of it.’ So we do it again, and he said, ‘No, I’m still seeing too much of the book.’ So I said, ‘I can take care of that.’
I take the book, I walk through the set that is my office, I walk into the dressing room, where there is a window, and I throw the book out the window. I come back to my place on the set, and I say, ‘You don’t have to worry about seeing the book again.’
The crew and everyone is slackjawed. So then I say, because I’m on a roll at this point, ‘Oh my gosh, I see more of those dreadful books on the bookshelf!’ So I go over, I gather all the books up, I walk through the set, through the dressing room and throw all of them out the window. Then I return to my place on the set. So that’s my one diva moment.
We had this thing called a Fashion Therapy Kit, and I would present it to our subject on the last day of taping. And I’d give them the book ‘Tim Gunn: A Guide to Quality, Taste and Style’, with it already inscribed to her. And the person is, generally speaking, touched by the gift.
So we have a new director, and it’s Episode 6. This new director calls out from the production room, ‘Um, could we do that again and see a little less of the book?’ So I said, ‘Yeah.’ We did it again. He says, ‘No, I’m still seeing too much of the book.’ I said, ‘What’s your issue with the book?’ And he said, ‘It just feels like a little too much self-promotion.’
I paused, and then I said, ‘Self-promotion? This show is based on this book.’ He said, ‘Well, I just want to see a little less of it.’ So we do it again, and he said, ‘No, I’m still seeing too much of the book.’ So I said, ‘I can take care of that.’
I take the book, I walk through the set that is my office, I walk into the dressing room, where there is a window, and I throw the book out the window. I come back to my place on the set, and I say, ‘You don’t have to worry about seeing the book again.’
The crew and everyone is slackjawed. So then I say, because I’m on a roll at this point, ‘Oh my gosh, I see more of those dreadful books on the bookshelf!’ So I go over, I gather all the books up, I walk through the set, through the dressing room and throw all of them out the window. Then I return to my place on the set. So that’s my one diva moment.
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